I would employ the Noad method after this. Talking about reading the music AWAY from the guitar. If you look at the map beforehand, you stand a much better chance ofįinding your destination by noticing the signs along the way. Indeed, f you just turn up and expect to find the street it would be veryĭifficult. Of music when you understand its structure."ĭriving to an unfamiliar place or suburb in your car and using a roadmap. Says in the Classical Guitar Answer Book: "It's easier to memorize a piece The dynamics of the piece before you play it, your brain won't have to deal Understand where the repeats are, for example, you have already cut down on theĪmount of bars you have to worry about when memorizing music. The piece allows you to take a "short-cut" of sorts. Up into its parts first before you start to play it and get a visual memory of WhatĪbout sequences and repetitions? What about dynamics, articulation and tone? I would look at the key, form, and structure of the music. Just reading it, like a book, on its own. That is start, not with playing a piece of music but rather Nevertheless, it has important implications for ALL musicians. It isn't, however, about guitar but about piano. Here's a great little YouTube video about memorizing music. So, having established a method of learning a new piece of music what comes next? What are the nuts and bolts, so to speak? Of course, we can't include taste and smell to any great degree (unless you want to eat your music!), but we definitely should try to use our other senses of sight, hearing and touch. What is clear in most literature about memory is that a combination of as many of your senses as possible is a stronger way of learning anything.īecause of this we should employ most of our senses when memorizing music. Some people are visual learners some learn better with their tactile sense, and some are strong auditory learners. I also know from my days at Teacher's College that most people have different strengths when it comes to learning something new based on the body's different senses. Why not utilize the natural operation of your memory when memorizing? You need to work with your brain rather than against it. Do you dream in words or are your dreams a series of pictures rather like a scene from a movie? Let's say I ask you to think of an elephant.Įlephant written down (which could be a picture) or is it a picture or partĪnother test would be to ask how you dreamed at night. More than powerful images or pictures if you like. You think about it, you will realize that our thoughts and memories are nothing With continuity rather than have the piece sound disjointed and fragmented. In this fashion helps with an overall visual memory of the piece, and it helps
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